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Subjects

Home Science

Traditional occupations in India - Visual arts

This Class 11 Home Science topic, from the chapter “Work, Livelihood and Career,” introduces students to visual arts as an important form of traditional occupation in India. It explores how painting, drawing, craft, design, textiles, pottery and other creative practices are shaped by local materials, skills, culture and community knowledge. Students also consider the role of artisans, changing markets, livelihood opportunities, preservation of heritage and the importance of respect for skilled work when thinking about careers in the creative sector.

Medium · Level 1 · 25 questions

Practice questions

01Which modern step is most suitable for improving the income of traditional artists associated with Madhubani painting?

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02What is the main importance of simple geometric forms in Warli art?

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03Why is the use of natural colours considered important for traditional painters?

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04Which is the best example of skill among artists in Pattachitra art?

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05What is the benefit of family-based training in traditional visual art occupations?

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06For what purpose is golden embellishment used in Tanjore painting?

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07In which situation can the livelihood of a traditional artist become most unstable?

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08What does the use of dots and lines in Gond painting indicate?

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09What is the main benefit of identity such as a geographical indication in visual arts?

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10Why are hand drawing and dyeing important in Kalamkari art?

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11Which measure can make traditional visual art more employment-oriented for youth?

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12With what is the traditional importance of Phad painting mainly associated?

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13What can be the greatest benefit of a cooperative society for a traditional artist?

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14Why is the role of community important in folk arts like Pithora painting?

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15Which is a correct example of product diversification in traditional visual art occupation?

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16Why is documentation necessary in traditional visual arts?

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17If an artist does not receive a fair price for the art, what will be directly affected?

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18What benefit can tourism provide to traditional visual artists?

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19What type of ability is expected from an artist in miniature painting?

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20What does the use of local symbols strengthen in visual art?

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21Which challenge can most affect the original designs of traditional painters?

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22Which type of training makes a traditional visual artist more capable for the modern market?

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23How should women’s participation in Madhubani art be understood?

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24Why is quality control necessary in traditional visual art?

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25Why is it incomplete to consider folk painting only as decoration?

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