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Subjects

Home Science

Traditional occupations in India - Visual arts

This Class 11 Home Science topic, from the chapter “Work, Livelihood and Career,” introduces students to visual arts as an important form of traditional occupation in India. It explores how painting, drawing, craft, design, textiles, pottery and other creative practices are shaped by local materials, skills, culture and community knowledge. Students also consider the role of artisans, changing markets, livelihood opportunities, preservation of heritage and the importance of respect for skilled work when thinking about careers in the creative sector.

Hard · Level 4 · 25 questions

Practice questions

01If sales of artisans do not increase even after skill training what should the next training focus on?

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02Which option can support both preservation and income in traditional visual arts?

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03What can be the correct basis for segmenting customers for a visual art product?

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04What is the most suitable way to check durability of a visual art product?

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05If a sacred symbol is being used in an art product what should be ensured before sale?

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06What is the business benefit of keeping both small products and premium products in an art enterprise?

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07If artisans want to create a collective brand what should be decided first?

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08Which element can help show depth in a visual art composition?

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09In which situation will collaboration with a designer be useful for a local artisan?

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10What can be the disadvantage of keeping a very low price for an art product?

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11If ventilation is poor in a painting workplace which risk will increase?

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12What can be a modern use of a QR code in showing authenticity of a visual art product?

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13What should be a professional response by an artisan after receiving a poor review?

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14If an art form is limited to only a few elderly artisans what is the most necessary first step?

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15Why is understanding the product life cycle useful in visual arts?

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16What will be the effect if lighting is poor in an exhibition of art products?

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17If an artisan wants to send products to a foreign market what should receive special attention?

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18Why is a written agreement necessary while partnering in a visual art business?

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19What should an artisan ensure before writing limited edition on an art product?

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20If an art product is beautiful but inconvenient to use what improvement is suitable for the market?

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21In which situation will local resource mapping be useful for art work?

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22Why should design improvement in visual arts not be decided only by personal preference?

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23If two products look similar in an art fair how can a customer identify the genuine product?

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24Which training will be most beneficial for a women self help group based on art?

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25What will build long term trust in visual art based livelihood?

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