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What is the best decision if a watercolour area becomes badly damaged by correction?

Answer and explanation

Correct answer: Let it dry and choose minimal correction or a fresh attempt

Once paper fibres are abraded or several pigment layers have been disturbed, continued rubbing usually spreads the damage and weakens the surface. Allowing the area to dry makes the situation easier to judge. The artist can then make one restrained correction, redesign the passage, or begin a fresh attempt if necessary. Option C is best; adding water, rubbing, or hiding the area with a thick layer often creates further problems.

Related tags

Paper DamageWatercolour CorrectionOverworkingDecision MakingPainting TechniqueWatercolourPainting TechniquesArt Education

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