Analogous Colour Schemes

Correct answer: B. Analogous scheme

Explanation: The governing concept is the relationship between harmony and contrast in a colour scheme. Analogous colours sit next to one another on the colour wheel, such as blue, blue-green, and green. Their similarity creates a calm, unified appearance, but that same similarity can reduce contrast; therefore option B is correct. Complementary and black-white schemes usually provide stronger opposition, while a random high-contrast scheme is not defined by close colour relationships.

Correct answer: B. When a calm and harmonious effect is needed.

Explanation: An analogous colour scheme uses colours that sit next to one another on the colour wheel, such as blue, blue-green, and green. Since these colours share related visual qualities, they usually create unity, continuity, and a calm or harmonious mood rather than a sharp clash. Therefore, option B is correct. Strong contrast is more characteristic of complementary schemes, while black alone and no colour relationship do not describe an analogous scheme.

Correct answer: B. Adding clear value contrast between text and background

Explanation: The governing concept is that analogous colours create harmony, but harmony alone does not guarantee legibility. Readability improves when the text and background have a clear difference in value, or lightness and darkness. Therefore, option B is correct: value contrast separates the letters from the background. Keeping every colour equally light, repeating one hue, or removing contrast makes visual reading more difficult.

Correct answer: A. सादृश्य रंग-योजना

Explanation: An analogous colour scheme uses neighbouring hues on the colour wheel, such as yellow, yellow-green, and green. Option A is correct because adjacent colours share visual qualities and usually blend into one another with a smooth transition. Complementary colours are opposite and create stronger contrast; black and white mainly vary in value, while unrelated multicolour choices lack a close relationship. The concept is harmony through adjacent hues.

Correct answer: A. Visual hierarchy is created

Explanation: The governing concept is visual hierarchy in composition. When one secondary colour is dominant, it attracts the viewer’s attention first and gives the artwork a clear focal direction; the remaining colours can support or balance it. Therefore, option A is correct. Dominance does not remove colours, convert the work to black and white, or alter the paper’s physical size.

Correct answer: B. Violet will lose intensity

Explanation: The governing concept is complementary colour interaction. Yellow is complementary to violet on the colour wheel, so adding a small amount of yellow introduces an opposing pigment and reduces violet’s intensity, purity, or saturation. Thus option B is correct. The mixture will not normally become white or green from a small addition, and adding a complement generally dulls a colour rather than making it more saturated. More yellow would produce a muddier neutralised mixture.

Correct answer: A. Blue-green

Explanation: The governing concept is an analogous colour relationship: neighbouring hues on the colour wheel usually create visual harmony because they share a colour component. Yellow-green and blue-green both contain green and lie next to one another, so blue-green supports yellow-green smoothly. Red-orange, red-violet and dark red are farther away or provide stronger contrast rather than the closest harmonious support. Therefore, option A is correct.

Correct answer: A. Yellow-orange

Explanation: The governing concept is an analogous colour scheme, in which neighbouring hues on the colour wheel form a related visual family. Red-orange and yellow-orange are adjacent tertiary hues around the orange region and share the warm influence of orange. Blue-green and blue-violet belong to cooler regions, while yellow-green is separated from red-orange by the orange and yellow area. Thus option A is the best answer.

Correct answer: D. Analogous colour scheme

Explanation: An analogous colour scheme uses colours that are adjacent or near one another on the colour wheel. Red, red-orange and orange appear consecutively in that neighbourhood, producing a related and usually harmonious group with limited contrast. A complementary scheme needs opposite colours, a triadic scheme needs three evenly spaced hues, and a neutral scheme relies on greys or near-neutrals. Hence option D is correct.