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Traditional occupations in India - Visual arts
Practice questions
If an artisan is photographing a product what is necessary to avoid misrepresentation?If a defect is found in an art product before sale what is the correct step?How can training outcomes in visual arts be evaluated best?If an art style is being used in fashion products what risk should be considered?Which is the most practical training package for a women self help group based on visual arts?What is the combined effect of quality and originality in visual arts?Why is making a false GI claim for an art product improper?If an artisan is unsure whether the market will accept a new product what should be done?What is the most balanced strategy for building long term livelihood in visual arts?If demand for an art product increases but raw material is limited what should the artisan do?If a traditional painting style has to be sold in the global market, which strategy is most balanced?What is the greatest care needed while applying traditional Madhubani themes on modern products?How should depiction of community-based life in Warli art be understood in livelihood studies?In which situation would commercialization of traditional art be considered most risky?How does protection of geographical identity strengthen an artist livelihood in visual arts?When can design intervention for traditional artists be considered successful?If young members in an art group do not want to learn the old style, what is the most suitable solution?What problem will arise if labour time is ignored while deciding the real price of an art product?How is documentation in visual art connected not only with preservation but also with livelihood?Which approach is appropriate while selling nature-based motifs of Gond art in the market?