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Which strategy is suitable for connecting a coloured shadow to an object's local colour?

Answer and explanation

Correct answer: Use a controlled mix of both local and shadow colours in the midtone

The governing concept is a gradual transition through a midtone. Mixing a controlled amount of the object’s local colour with the shadow colour creates a bridge between the two areas and avoids a sudden, pasted-on boundary. Therefore option A is correct. A white line separates rather than connects, pure black often makes the shadow harsh and unrelated, and leaving both areas disconnected prevents a convincing blend.

Related tags

Coloured-ShadowMidtoneLocal-ColourBlendingColour MixingColour TheoryArt EducationClass 9 Mcq

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