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Subjects

History

craft production

शिल्प उत्पादन

This topic explores craft production in the Harappan civilisation through archaeological evidence from the chapter Bricks, Beads and Bones. Students learn how beads, pottery, seals, tools and metal objects were made, which raw materials and techniques were used, and how specialised craft workers may have organised their work. It also examines workshop sites, production centres, trade networks and the role of craft goods in understanding urban life, social organisation and connections between different settlements.

Practice questions

01 What happened after the wax model melted inside the clay coating in the lost-wax technique?

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02 What feature of the Harappan economy is revealed by bead-making evidence at Lothal?

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03 The use of distant raw materials in Harappan craft production most strongly indicates what?

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04 Why was the Khetri region important for Harappan craft production?

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05 Why was lapis lazuli obtained from Badakhshan important in Harappan craft?

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06 Which is the most appropriate example of division of labour in craft production?

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07 Why is Chanhudaro emphasised more for crafts than for monumental urban structures?

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08 What does the production of bangles from different materials imply?

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09 Beyond utility, what does the study of painted Harappan pottery reveal?

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10 Why was bronze preferred over copper for some Harappan metal objects?

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11 The bronze Dancing Girl demonstrates which combined achievement of Harappan craft?

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12 If spindle whorls are found in large numbers at a site, which craft activity is most likely indicated?

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13 Which relationship between Harappan craft production and urbanisation is most appropriate?

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14 How can the spread of technical knowledge in Harappan craft production be inferred?

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15 In Harappan craft contexts, unequal access to valuable ornaments may indicate what?

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16 Why is relying only on finished objects insufficient for studying Harappan craft production?

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17 What kind of planning is indicated by storing raw materials at Harappan craft centres?

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18 Different sizes of drills found at a site may indicate what kind of craft activity?

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19 What role may urban markets have played in Harappan craft production?

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20 Which archaeological combination most strongly establishes local bead production at a Harappan site?

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21 What technical purpose was achieved by heating carnelian and then grinding it?

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22 If many finished beads are found at a site but no production waste is present, what is the most cautious conclusion?

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23 What is the most appropriate basis for distinguishing faience from natural gemstones?

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24 What is the most appropriate conclusion from cut shells and unfinished bangles found at Nageshwar and Balakot?

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25 After the wax melted out in the lost-wax process, what was the next decisive stage?

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