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Subjects

History

craft production

शिल्प उत्पादन

This topic explores craft production in the Harappan civilisation through archaeological evidence from the chapter Bricks, Beads and Bones. Students learn how beads, pottery, seals, tools and metal objects were made, which raw materials and techniques were used, and how specialised craft workers may have organised their work. It also examines workshop sites, production centres, trade networks and the role of craft goods in understanding urban life, social organisation and connections between different settlements.

Practice questions

01 If unfinished beads and drills are found in one area but finished beads in another, what is the most appropriate interpretation?

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02 Why are tool marks on a metal object studied microscopically?

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03 If production waste is found in a drain, what difficulty arises in locating the original workshop?

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04 Which statement best describes the Harappan craft system?

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05 Uniform shapes in Harappan pottery indicate what type of production system?

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06 What ability is shown by combining tiny script and animal motifs on Harappan seals?

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07 What was a probable purpose of heating Harappan seals?

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08 Studying the distance between raw-material sources and craft centres is most useful for understanding what?

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09 Why can unfinished objects be more significant than finished goods in studying Harappan craft production?

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10 In the context of craft production, what can the distribution of production waste indicate?

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11 If standardised beads of similar style are found at two distant sites, what is the best interpretation?

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12 The use of moulds in Harappan crafts strengthens evidence for which economic feature?

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13 Why would temperature control have been necessary in faience production?

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14 On what basis would Harappan craftspersons have selected raw materials?

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15 What would be the most likely result of uneven temperature in a pottery kiln?

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16 The discovery of many standardised weights at a site indicates what kind of system?

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17 Harappan craft objects reaching Mesopotamia supports which conclusion?

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18 The existence of specialised craft centres indicates which social development?

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19 Which could be an indirect sign of quality control in Harappan craft production?

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20 Which sequence of bead production is most logical?

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21 If a craft centre was far from the raw-material source, what was necessary for continuous production?

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22 What conclusion is strengthened when unfinished and finished shell bangles are found together?

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23 Which is the broadest evidence of the complexity of Harappan craft production?

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24 Which is the most balanced conclusion about Harappan society based on craft production?

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25 A straight perforation through long carnelian beads most strongly supports which conclusion?

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