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Subjects

History

craft production

शिल्प उत्पादन

This topic explores craft production in the Harappan civilisation through archaeological evidence from the chapter Bricks, Beads and Bones. Students learn how beads, pottery, seals, tools and metal objects were made, which raw materials and techniques were used, and how specialised craft workers may have organised their work. It also examines workshop sites, production centres, trade networks and the role of craft goods in understanding urban life, social organisation and connections between different settlements.

Practice questions

01 What does the heating of carnelian during bead production demonstrate?

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02 The coexistence of imported raw materials and locally finished goods in an early city indicates which economic activity?

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03 If a metalworking area is located away from residences, what is the most probable reason?

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04 If unfinished beads are found at different stages of manufacture, what process can they help reconstruct?

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05 Obtaining lapis lazuli from Badakhshan and copper from Khetri reveals which feature of the Harappan economy?

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06 The use of both local and distant raw materials in Harappan cities reflects which economic strategy?

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07 Finding metal droplets and unfinished tools near furnaces strengthens which conclusion?

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08 Variation in alloy composition of copper objects can help study what?

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09 If raw stone, unfinished beads, and finished beads are found together in a Harappan workshop, what can be reconstructed?

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10 What do extremely fine perforations in beads reveal about Harappan craft workers?

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11 Finding many beads of the same size indicates which production method?

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12 Under which condition would it be more reasonable to regard a craft object as imported rather than locally made?

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13 The use of different heating and polishing techniques for different stones indicates what?

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14 Why were Harappan weights necessary for craft workers as well as traders?

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15 What is established by finding cotton fibres together with spindle whorls in Harappan cities?

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16 If objects of different alloys are found in a metal workshop, what does this indicate?

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17 If many broken vessels are found near a public well, what is the most probable reason?

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18 If bead-making continues after urban decline, what conclusion is appropriate?

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19 Which test may be most useful for identifying the source of pottery?

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20 What can a spatial cluster of production waste identify in a workshop?

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21 If an ash layer contains metal droplets and furnace fragments, what is the most appropriate interpretation?

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22 Why may an unfinished object be more decisive than a finished object in identifying a workshop?

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23 Which additional evidence would be most useful for proving a workshop when a group of tools is found on a floor?

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24 Why should both composition and manufacturing marks of a metal object be studied?

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25 If production waste gradually decreases across a workshop area, what spatial conclusion is possible?

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